Full Frame spillefilmene kommer

Sony ser ud til at have pæn succes med deres Venice kamera, der som du måske er klar over også findes til udlejning her i landet.
Så meget at de første spilefilm nu er gået i optagelse.

Som vi forstår det, er Sony dog ikke nået længere end til at der – lige nu – blot er en enkelt spillefilm igen, i Europa, nemlig “Fisheye”, der er en polsk “thriller”, der netop er gået i optagelse.

Valget at et Venice som hovedkamera kan dog ikke overraske.
I sidste uge var det instruktøren bag “Avatar”, James Cameron der valgte Venice i den specielle CMOS blok version, hvor krop og sensor er skilt ad.
Fordelene for Cameron, er at det pludseligt er muligt for operatøren af kameraerne i et 3D set up at bære de tunge kameraer og samtidig have plads til lidt kreativitet.
første spillefilm i Full Frame Anamorfisk

TIlbage i Polen, er Michał Szcześniak instruktør på “Fisheye”, der bliver fotograferet af Paweł Dyllus.

Ewa Szwarc, der er Producer, på Kosmos Production, der står bag “Fisheye”, siger:
-After a consultation with Paweł Dyllus, we made the decision to be the first in Europe to shoot with this camera. The storyline of “Fisheye” strongly fits the Venice ability to combine spherical and anamorphic lenses, which intensified the film’s impression on its audience, starter han og fortsætter.
-We have also been incredibly pleased that our post-production abilities have increased during the editing process, slutter han og bliver suppleret af Marcin Mikołajczyk, der er technical director, ATM System Sp. z o.o.

Han siger:
-We suggested using Genesis G35 lenses and anamorphic Cooke S6i lenses for Sony Venice and bought two licenses, Full Frame and Anamorphic, as we not only do we know that operators like to mix formats but we also wanted to guarantee the greatest possible shooting possibilities, slutter han.
første spillefilm i Full Frame Anamorfisk
Fotografen Pawel Dyllus er også glad.
Han siger:
-I was particularly interested in shooting in full-frame and Anamorphic formats. As we are currently still in production, I have had sight of the initial colour correction and I can confidently say that, thanks to Venice amazing resolution and unbelievable image plasticity, we have captured some incredible visuals, fortsætter han.
-The camera’s operability is also very good, allowing us to streamline our workflow. It switches on in just a few seconds, giving it a clear advantage over other cameras in this market segment. Additionally, its built-in ND filters with gradation of 0.3 are excellent, and the duplicated control panel on both sides of the camera is well-designed and comfortable. While it is not a light camera, it is very well-balanced and delivers impeccable images, slutter han.

Det store spørgsmål er så hvad de optog på, altså i hvilket kvalitet.
Og også her, ser det ud til at produktionen har taget Sony og deres “markedsføring” til sig.
første spillefilm i Full Frame Anamorfisk
Marcin Mikołajczyk forklarer:
-Together with the Venice camera, and in addition to the new RAW recorder, Sony introduced a new X-OCN recording format that transforms how we are saving RAW data, starter han og fortsætter.
-As a result, files with full information about variables, temperature, and camera parameters were able to be compressed and stored, using approximately half of the space traditionally required – saving time and disk space needed for production, resulting in a faster work pace, slutter han.

Produktionen der fortsat er i optagelse, har naturligvis ingen billeder sluppet endnu.
Så vi har i stedet fundet lidt video, hvor du på den ene kan se hvor meget Anamorfisk Cooke tryller og i den anden, hvor sygt skarp en Venice problemfrit kan gøre optagelserne.

En kombination ligner lidt et hit.

Ewa Szwarc, kan dog godt løfte sløret for at dele af filmen er blevet vist frem i Cannes.
Hvor den blev modtaget godt.
Hun siger:
-The first fragments of the film presented in Cannes were very well received. I cannot reveal the details surrounding the production yet, however, the choice of the Sony Venice camera was influenced by professional consultation from our technological partner ATM System, slutter hun.

Produktionen lander på det polske marked engang i 2019.
Her lidt andre CineAlta/Cooke billeder og lidt om Genesis G35